Files containing loose sheets of writings including faxes, draft letters, thoughts and artists statements on professional and personal matters, with related sketches, notes, correspondence, press-cuttings and images.
Faxes, drawings, photocopies and notes.
Drawings of works with Rowford Process stands, possibly in consideration for exhibition. [Works detailed, listed as described by Barry Flanagan]. Pile, 1 ’67/68 (1968), Carving Bronze No 5 [untitled carving no. 5/84, 1984], Hare on Triangle [Hare on Pyramid 1988], Hare + Vase [Hare and Vase Midsummersong 1984], Opera Dog (1981), Untitled Bronze Stone, [Untitled cast from stone carving 1987], Warm tit roll [Her warm tit rolls, 1981], Soprano (1981), Pilgrim on Anvil (1984), Centaurs. [Sketch on a theme 1 & 2, 1987].
Drawings on squared paper entitled The Line, You see me and Land all dated 13 July 1991. Annotated sheet music entitled ‘Danubio Azul’. Printed casting information sheets on Hare on Curly Bell, (1980), Large Monument, (1995) and Anvil, (1981).
Copies of Newsletter from the Theatre Trust of Ibiza (16 March 1991) detailing The Names of the Hare (1982). Note to ‘Ricado’ (May 1991) [Writer/Curator Richard Mcneff, friend and collaborator] and to Colin Renfrew of Jesus college and his wife Jane. Note to production designer Tim Harvey (8th August 1978) Copy of The Artist, No 9, published in Santa Eulalia, Ibiza, Spain, May 91, containing an article by Richard Mcneff a quote by Renate Widmann.