View all publications, media and press relating to Barry Flanagan’s work and practice, including selected catalogues, books and journals
‘One of Britain’s most original and inventive sculptors’
Penelope Curtis, former director of Tate Britain, has described Flanagan as ‘a maverick figure but a maverick who was absolutely central to the artistic conversation of the 1960s and 70s’
In fact, the more you learn of Flanagan’s work, the more you see it in the artists who followed him. In that way, Flanagan was an artist who looked back and forward at the same time, borrowing from the ancient, while anticipating the future