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I prefer working with the essential stuff of sculpture rather than my own “ambitions” for it. This way I hope to find things’ Barry Flanagan, 1969, Catalogue Statement, Art in Process iv, Finch College, NY, 1969
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Flanagann’s life long obsession with Alfred Jarry, the French playwright, and Jarry’s philosophy of ‘pataphysics.
This outdoor exhibition involved the installation of some of Flanagan’s later work – bronze hares – along Park Avenue. Flanagan is best known for these large bronzes which feature in public places across the world and which dominated the later part of his career. He exhibited a number of times in the US, including at the Museum of Modern Art and the Solomon R Guggenheim Museum, New York.
Barry Flanagan represented Britain at the Venice Biennale in 1982. This retrospective, like the recent Tate show ‘Barry Flanagan: Early works 1965 – 1982’ (September 2011 – January 2012), included work crafted in stone, canvas, sheet metal and bronze spanning his career from the early 1960s to 1982.
