Hierarchy / Operational papers / Exhibition and project files / Exhibition files / Group exhibitions
JBF/6/2/1/2

Group exhibitions, 1966-1992

5 folders
JBF/6/2/1/2.4
File four, 1988-1992
Date Range
1988-1992
Extent
1 folder
Extent
1 folder
Scope and Content

Group exhibitions file containing annotated record heading pages, including some printed press and original gallery material.

Record of exhibitions:

Pictures for the Sky: Art Kites, touring exhibition 1988/89 – Japan Tour, 1989 – Munich, 1990 – Paris, Dusseldorf, Moscow, Hamburg, 1991 – Lisbon, Brussels, Seville, Berlin, Copenhagen, Turin, 1992 – Australia & America.
Letter and card from Paul Eubel, Project Lead Director of the Goethe – Institute Turin, Italy to Flanagan discussing the Berlin iteration of the exhibition with mention of the events, catalogues venues and a booking sheet for the events taking place in Berlin.

Scultura – Carving from Carrara, Massa and Pietrasanta, Yorkshire Sculpture Park, UK, 31 Jul 1988 – 27 November 1988.
John Russell Taylor, The Times, 11 October 1988.

The Maginot Line at Riverside Studios 14 March 1988
William Packer, The Financial Times, 14 March 1988.
Marina Vaizey, The Sunday Times, c. March 1988.
Letter from Greg Hilty, Exhibitions Director Riverside Studios, to Flanagan, 28 March 1988.
Letter to Zoe Shearman at Riverside Studios from Deborah Loth, 7 March 1988.
Consignment note, 7 March 1988 for untitled (AND I DIDN’T KNOW IT) Aug (1980) to Riverside Studios.
Letter from Bruce McLean to Flanagan, 22 February 1988 inviting Flanagan to participate in The Maginot Line at Riverside Studios.
List of the 20 parts for The Maginot Line, including the organising committee and secretariat and a synopsis of ‘Part Ten: The Interview’

Total Dissent, Art, Culture and Politics Around 1968, Tate Gallery, 1 June 1988 – 19 June 1988, exhibition program.

Starlit Waters: British Sculpture, An International Art 1968-1988, and gallery material.
Brian Sewell, Starlit Waters, Modern Painters, Autumn 1988
Giles Auty, The Spectator, 4 June 1988.
William Feaver, The Observer, 29 May 1988.

Sculpture in the Close, Jesus College Cambridge, 20 June – 31 July 1988
William Fever, Financial Times, 19 July 1988.
Ruth Gledhill, The Times, 27 June 1988.

Karen Wright, Modern Painters, Autumn 1988.

Britannica: Trente Ans de Sculpture, Centre Régional d’Art Contemporain, Toulouse France, 25 March 1989 to 8 May 1989.
Daniel Dobbels, Mercredi, 19 April 1989.

Glasgow’s Great British Art Exhibition, McLellan Galleries, 27 March 1990 – 9 May 1990.
William Feaver, The Observer, 22 April 1980.

Summer Exhibition Royal Academy of Arts, London, UK, 6 June 1990 – 23 August 1990.
Richard Dorment, ‘New Vitality at the Royal Academy’, The Daily Telegraph.
William Packer, Financial Times, 9 June 1990.
Geordie Greig, The Sunday Times, 2 June 1991.

From Art to Archaeology, Victoria Art Gallery, 12 October 1991 – 23 November 1991, advertising flyer.

Art ’92, Waddington Galleries stand outside the Business Design Centre, 23 January 1992 – 26 January 1992.
Peter Johnson, The Sunday Times, 19 January 1992.

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