Hierarchy / Press and printed material / Press and related papers
JBF/5/1

Press and related papers, 1966-2008

14 volumes, 15 folders
Scope

Press-cuttings relating to particular exhibitions can also be found under Exhibition files at JBF/6/2/1.

Press-cuttings scrapbooks
JBF/5/1/1
View entries (3)
View entries (3)
Press-cuttings scrapbooks, 1966-1977
3 volumes

Volumes compiled by Barry Flanagan containing press-cuttings and photocopies of press-cuttings from the national and international press and specialist publications which make reference to his work. The press-cuttings are arranged broadly chronologically and the majority are labelled with the publication title and date.

Press-cuttings files
JBF/5/1/2
View entries (5)
View entries (5)
Press-cuttings files, 1970-2008
7 folders

Files of press-cuttings and photocopies of press-cuttings from the national and international press and specialist publications, the majority of which make reference to the work of Barry Flanagan, filed broadly chronologically and gathered by a combination of Flanagan, contracted press agencies, galleries and related organisations.

Exhibition press reviews
JBF/5/1/3
View entries (10)
View entries (10)
Exhibition press reviews, 1988-2005
9 volumes, 3 folders

Files compiled by galleries and related institutions containing photocopies of press-cuttings on exhibitions, the majority of which feature the work of Barry Flanagan, from the national, local, and specialist press.

Laundress Green sculpture
JBF/5/1/4
View entries (1)
View entries (1)
Laundress Green sculpture, 1972
1 folder
2004
JBF/5/1/5
View entries (4)
View entries (4)
2004, 2004
4 folders

Files of press-cuttings, press-reviews, printed ephemera and related papers, the majority of which refer to the work of Barry Flanagan, gathered by Flanagan, the Paul Kasmin Gallery, New York, USA, and the Galerie Lelong, Paris, France, in 2004.

Pietrasanta
JBF/5/1/6
View entries (1)
View entries (1)
Pietrasanta, 1988-2008
2 volumes

Press-cuttings and extracts from publications assembled in Pietrasanta, Italy.

Or have a look at the index of all the archive files without the hierarchy

View Full Archive Index
View Full Archive Index
FAQs
How do I find a specific artwork on the website and any related information that the Estate holds?

This website is comprised of two main sections: the ARTWORKS and the ARCHIVE. The ARTWORKS is a catalogue raisonné – a comprehensive list of works by Barry Flanagan. The Archive, found in the research tab, brings together supporting material, including the artist’s sketches, photographs, diaries and personal papers.

Both sections can be accessed several ways and are interlinked.

Search by keyword

Simply enter one or more keywords in the SEARCH field. You will be presented with a list of corresponding search results. These results can be divided by category, e.g. Archive Files, Artworks, Events, Exhibitions, Media, Posts, Press, Publications, Other. Select one of the results to view more information. The number of results available in each category will be visible in brackets.

All artwork records are displayed with any linked archive records. All connected entries will be displayed underneath the artwork details alongside related exhibitions, events, publications, and media. Alternatively, when searching a specific artwork, filters can be selected to go directly to various connected records eg. Events, Exhibitions, Media etc.

If you are interested in searching our online ARCHIVE you have two options. Either browsing using the HIERARCHY as your starting point or the INDEX.

The Hierarchy

The structure of an archive catalogue is hierarchical. This structure operates in much the same way as the folders stored on a computer, where a folder may contain one or more associated folders and files. Here the folders represent groups of records called series.

The main series are:

JBF/1  Sketches, maquettes and writings, 1965-2009

JBF/2  Diaries, 1976-2006

JBF/3   Photographic material, c.1920-2009

JBF/4  Audio visual material, 1982-2009

JBF/5  Press and printed material, 1966-2009

JBF/6  Operational papers, 1959-2009

JBF/7  Other interests and research, 1964-2008

The Index

The INDEX is a list of all the files contained within the archive catalogue. They are identical to those in the hierarchy but arranged as an alphabetised list.

What is the difference between the physical archive and the online archive?

Our physical archive is comprised of 160 boxes of sketchbooks, diaries, correspondence, writings, photographs and casting records that span the whole of Flanagan’s career from the late 1950s to 2009.  Our online archive offers access to this catalogue of records, with 2,500 scanned documents available to view.  However for various reasons not all our records are available online.  If you are interested in visiting us in person please contact us.

How do I search the online archive?

If you are interested in searching our online ARCHIVE you have two options. Either browsing using the HIERARCHY as your starting point or the INDEX.

The hierarchy

The structure of an archive catalogue is hierarchical. This structure operates in much the same way as the folders stored on a computer, where a folder may contain one or more associated folders and files. Here the folders represent groups of records called series.

The main series are:

JBF/1  Sketches, maquettes and writings, 1965-2009

JBF/2  Diaries, 1976-2006

JBF/3   Photographic material, c.1920-2009

JBF/4  Audio visual material, 1982-2009

JBF/5  Press and printed material, 1966-2009

JBF/6  Operational papers, 1959-2009

JBF/7  Other interests and research, 1964-2008

The Index

The INDEX is a list of all the files contained within the archive catalogue. They are identical to those in the hierarchy but arranged as an alphabetised list.

 

How do I visit the archive?

Our archive and library are open to researchers by appointment. To make a booking click here

I would like to include an artwork or archive material by Barry Flanagan for an exhibition I am curating, who should I contact?

Please contact us at the estate in the first instance as we will be able to advise you whether an artwork is available for loan and if it is whom best to contact.

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