Files of photographic images, including many printed digital images, most of which show the work of Barry Flanagan with related images for work and of work in progress, spanning the years 1967 – 2001, and then arranged in files, in part thematically, compiled in the late 1990s and early 2000s.
Colour and black and white photographs
Includes colour installation shots by Anthony Stokes of the Venice Biennale, Italy (1982), colour slides of installation shots of ‘Les Champs de la Sculpture 2000’, Champs-Elysees, Paris, France (1999), colour transparencies of installation shots of the solo exhibition at the Galerie Hans Mayer, Dusseldorf, Germany (1994), colour installation shots of bronzes including Hare on Ball and Claw, 1989/90, and Drummer, 1996, installed in the gardens of Galerie Hans Mayer, black and white installation shots by John Webb of ‘Sculptures in Stone 1973 – 1979’ at Waddington Galleries, London, UK, a black and white installation shot of ‘Barry Flanagan sculptures in bronze 1980 – 1981’ at Waddington Galleries.
An envelope of black and white installation shots of ‘Barry Flanagan – A Visual Invitation: sculpture 1967 – 1987’ at the Museum of Modern Art, Belgrade, Serbia, black and white installation shots of ‘Art ’92’ at the Business Design Centre, Islington, UK (1992), black and white photograph of Young Elephant, 1985 of the Pace Gallery, New York, USA, black and white installation shots of ‘The British Art Show: Old Allegiances and New Directions 1979 – 1984’ at the Royal Scottish Academy, Edinburgh, UK (1985), black and white installation shots by Al Mozell of ‘Barry Flanagan. Recent Sculpture’ at The Pace Gallery (1983), black and white installation shot by A Rzepka of ‘Barry Flanagan’ at the Galerie Durand-Dessert, Paris, France (1982), black and white installation shot of ‘Pier and Ocean’ at the Hayward Gallery, London (1980) and black and white Rowan Gallery, London photographs of works including Ducks, 1970, Grass I, 1967/68 and hole in the sea (1), 1970.