Imaginary Solutions Film Credits

Hospitality, 1990, Bronze
aaing j gni aa, 1965, Cloth, plaster & plastic
Untitled twice, 1973, Hessian, cloth, wood, string, alloy, plaster and acrylic paint
Barry Flanagan carving maquette for marine goddess III 78, 1978, hornton stone, at The Stables, Oxfordshire
Clay Maquette for stone sculpture no. 9.2/82, 1982, Clay
Gallifa Ceramic, c.1992, Ceramic
Tantric figures, 1973, Beer stone, acrylic medium
no. 5 ’71, 1971, Wood, felt, rope
daylight light piece 1 ’69, 1969, Light
light piece III, 1977, Projected light
Barry Flanagan on St Martins School of Art roof, performance, no title, 1965
Barry and Sue Flanagan installing 4 casb 2 ’67, ringl 1 ’67, rope (gr 2sp 60) 6 ’67, 1967 in Arte Inglese Oggi: 1960-76, Palazzo Reale, Milan, 1976. Photo Chris Davies / ArenaPAL
Barry Flanagan black and white portrait. Photo Robert Self. Archive JBF/3/6/1/1.1
Black and white contact sheet of Barry Flanagan in AA Fine Art Foundry. Archive JBF/3/6/1/1.1
Leaping Hare, 1980, Gilded bronze on blue wooden ziggurat stand
Black and white contact sheet of Barry Flanagan in AA Fine Art Foundry. Archive JBF/3/6/1/1.1
Gallifa Study XII, 1992, Ceramic. Photo Marti Catala. Archive JBF/3/5/2/3.2
Gallifa Study XI, 1992, Ceramic. Photo Marti Catala. Archive JBF/3/5/2/3.2
Gallifa Study XIV, 1992, Ceramic. Photo Marti Catala. Archive JBF/3/5/2/3.2
Barry Flanagan coiling clay in Japan. Photo Shigeo Anzai. Archive JBF/3/2.2
Hand Piece, 1985, Bronze
Hare The Prancing One, 1981, Fountain pen
Thumb Prints, Mirror Prints, Money, 1972, Small case, ink on paper with string
Jan 70, 1970, Blue ink on paper
Left hand by Left hand, 1971, Etching & aquatint on paper
Figure in the Trees, 1993, Bronze
Barry installing 4 casb 2 ’67, ringl 1 ’67, rope (gr 2sp 60) 6 ’67, 1967 in Arte Inglese Oggi: 1960-76, Palazzo Reale, Milan, 1976. Photo Chris Davies / ArenaPAL
heap 3 ’67, 1967, Hessian, cloth & sand
Butterfly 10/82, 1982, Bronze
bollards project, 1970, Colour digital footage 36 seconds
pile 1 ’67/68, 1967-1968, Folded hessian & cord
Barry Flanagan with Jerry and Ab at A&A Fine Art Foundry. Photo Gautier Deblonde. Archive JBF/3/6/1/1.1
Black and white contact sheet taken in A&A Fine Art Foundry. Archive JBF/3/6/1/1.1
Signing session and work in progress in Flanagan’s studio above A&A Fine Art Foundry
Portrait of Barry in his studio above foundry. Photo Pascal Montelmacher
Monument, 1996, Bronze. Installation view Barry Flanagan, Ikon Gallery, Birmingham, 2019. Photo Stuart Whipps. Courtesy Ikon Gallery
Tango, 2001, Bronze
Barry Flanagan sculpting with clay. Photo Gabriela Salgado
Killary Harbour 2 ’79, 1979, Linocut
Mc Brayne’s Ferry, 1977, Linocut
4 rahsb 2 ’67, 1967, Hessian, sand, resin. Photo Prudence Cumming. Courtesy Waddington Custot
Monument, 1996, Bronze
Studies in Human Movement 7 & 8, 1972, Blue pen on paper
Studies in Human Movement 3 & 4, 1972, Blue pen on paper
Barry Flanagan overseeing production of new metal piece, 1978, Mild steel. Photo Chris Davies / ArenaPAL
Barry Flanagan and Peter Randall-Page with Enlarged Marble shape 1, 1978. Photo Chris Davies / ArenaPAL
Tantric figures, 1973, Beer stone, acrylic medium
Bollard, 1979, Pigment and ink on granite
Lamb/Fish, 1975, Hornton stone
Barry Flanagan coiling clay in Japan. Photo Shigeo Anzai. Archive JBF/3/2.2
closeness & farness, 1978, Blue pen on paper
(coils 2), Ink on paper
Barry Flanagan black and white portrait in foundry. Photo Anne-Katrin Purkiss. All Rights Reserved, DACS/Artimage. 2022
Barry Flanagan smoking in profile. Photo Robert Self. Archive JBF/3/6/1/1.1
a hole in the sea, 1969, Black and white archive edition of the 16mm colour film, 03:59 min
light on light on sacks, 1969, Hessian sacking and projected light
aaing j gni aa, 1965, Cloth, plaster & plastic
Hospitality, 1990, Bronze
no.7 ’71, 1971, Hessian, wood, & polythene. Installation view Barry Flanagan Sculpture, Rowan Gallery, London, 1971. Photo Jorge Lewinski / The Lewinski Archive at Chatsworth
Black and white contact sheet portraits of Barry with bronze hare. Archive JBF/3/6/1/1.1
Large Nijinski on Anvil Point, 2001, Bronze. Installation view Beyond Limits, Chatsworth House, 2012
Monument, 1996, Bronze. Installation view Barry Flanagan, Ikon Gallery, Birmingham, 2019. Photo Stuart Whipps. Courtesy Ikon Gallery
Leaping hare weathervane, 1983, Sheet metal
Hare: With Shades, 1980, Blue pen on card
Hare and Bell, 1988, Bronze. Installation view Park Avenue Sculpture Project 1995 – 1997. Photo Jessica Craig Martin.
Rugby Sculpture, 2007, Bronze
The Names of the Hare, 1982, Print on paper

 

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