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The slightly molten form of the telephone recalls the organic shapes of Flanagan’s sand-filled hessian sculptures of the 1960s. The printed inscriptions suggest not only the sound of the telephone but also the titles of some of the artist’s earlier sculptures. Flanagan described this print as ‘a surrealist drawing of an important everyday object’.
Exhibitions 
-1419x1500.png "Llandudno")
-1000x716.png "2 space rope sculpture (gr 2sp 60)")
_tif-1000x716.jpg "Black Ad ’70")
