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In 1968 Flanagan began experimenting with film and the effects of light projection. The films he made around this time often show his preoccupation with making work to define presence, absence, the solid and the fragile, the material and immaterial, matters that formed a consistent enquiry throughout Flanagan’s practice.
The films have been made available to celebrate the extension of Flanagan’s exhibition in the Kasmin Gallery Sculpture Garden, viewable from The High Line, now viewable until April 2021.
